Meanwhile, over in Hollywoodland … to no cineaste’s surprise, the silent film The Artist was named “Best Motion Picture of the Year” at the 83rd Academy Awards ceremony. While Tinseltown may have had a decent, if not mind-blowing, twelve months of production in 2011 – as evidenced by Woody Allen taking the “Best Original Screenplay” award for Midnight in Paris with his perhaps 24th- or 25th-best ever script – the year in basketball movies was disappointing to say the least.
In hindsight, no real possibility existed for the 2011 crop of hoops flicks to match the previous year’s output in terms of either quantity or quality, what with ESPN in the midst of its “30 for 30” documentary series. Eight basketball documentaries (nine if you include June 17, 1994) mostly well worth watching – spearheaded by the most excellent Once Brothers – were released in ’10 alongside the barely-seen Saints of Mt. Christopher. Plus, BallinEurope got to crack jokes at Common’s expense while enjoying fave Queen Latifah thanks to the essentially NBA-sponsored Hollywood flick Just Wright – who remembers that one?
And, of course, the artistic achievement of the 2009 tour de force, Who Shot Mamba? by former Yahoo Sports blogger/general comic genius at large has yet to be matched by any human endeavor, so one can’t fault the international film community for not approaching this one.
But come on! By BiE’s count, there were four major basketball film productions crafted in the year 2011. A pair of European documentaries saw no release outside their native countries (more on these below), while the compelling-sounding “Long Shot: The Kevin Laue Story” is apparently still seeking a distributor. How is this possible? Just check out the official synopsis from producer/director Franklin Martin: